Gear

Sony NEX-FS700 Camera

Cameras

A Cameras:
2x Sony NEX-FS700
4K Exmor Super 35 CMOS sensor
Full HD 1080 60p/50p/30p/25p/24p
plus Super Slow Motion at 10x in Full HD

With Convergent Design Odyssey7Q+
4K (4096 x 2160) up to 60p (120p burst)
2K (2048 × 1080) up to 240 fps continuous
12 bit raw or 10 bit Apple ProRes 422 HQ

Jamie Rhodes-Simpson Operating Steadicam Zephyr Rig with Sony Digital Betacam

B Camera:
Sony Alpha A6000
24.3MP Exmor APS HD CMOS Sensor (APS-C)
Full HD 1080 60p/50p/25p/24p

Lenses for A/B Cameras:
Sony SELP28135G FE PZ 28-135mm F4 G OSS Cinema Servo Zoom Lens
Sony SEL-18200 OSS 18-200mm F3.5-F6.3 Zoom Lens
Sony SEL-50F18 OSS 50mm F1.8 Prime Lens
Sony SEL-30M35 30mm F3.5 Macro Prime Lens
Sony SEL-16F28 16mm F2.8 Prime Lens
 - VCL-ECU1 12mm Ultra Wide Converter x0.75
 - VCL-ECF1 9.92mm Fisheye Converter x0.62
Sony SELP-1650 OSS 16-50mm F3.5-F5.6 Power Zoom Lens

C Camera:
Sony HDR-CX730E
Back illuminated 1/2.88" Exmor R CMOS Sensor
Full HD 1080 50p/25p
Carl Zeiss Vario-Sonnar T* Lens with Balanced Optical SteadyShot

Production Monitor / Recorder

Convergent Design Odyssey7Q+

The worlds most advanced monitor/recorder.

7.7" OLED monitor (1280x800) with true blacks, accurate colours, wide viewing angle and a large array of image analysis tools.

Fully enabled for Sony FS700 12 bit raw recording, 10 bit 4K Apple ProRes 422 HQ, High Frame Rate (HFR) up to 240 fps, and high quality full HD derived from the 4K raw camera signal.

Can be mounted on camera, or on our Steadicam rig.

Microphones

Sennheiser MKH-416:

  • Frequency Response: 40-20,000 Hz
  • Pickup Pattern: Super-Cardioid / Lobar
  • Transducer Principle: RF Condenser Microphone

Sennheiser MKH-416 & K6 / ME 64 Microphones with Rycote Windshield, Softie & Boom Pole

The MKH-416 has been an industry standard for decades and with good reason, this mic is awesome on so many levels! You will definitely have heard sound recorded through one of these, it is widely used in film and television productions and for ENG (electronic news gathering) and other outside broadcast applications.

Sennheiser K6 / ME 64:

  • Frequency Response: 40-20,000 Hz
  • Pickup Patter: Cardioid
  • Transducer Principle: Pre-Polarised Condenser Microphone

Sony ECM-XM1 Shotgun Microphone:

  • Frequency Response: 50-20,000 Hz
  • Dynamic Range: 111 dB typical
  • Signal-to-noise Ratio: 78 dB typical

Wireless Systems:

Sennheiser ew 112-p G3 wireless lavalier microphone ENG kit (bodypack and portable receiver)
Sennheiser SKP 300 G3 XLR plug-on transmitter with phantom power, plus EK 100 G3 wireless receiver
Sennheiser ew 165 G3 wireless kit with handheld SKM 100-865 G3 super-cardioid condenser microphone

Dedolights, one with softbox in use whilst filming Hannah-Rei on location for Upside Down music video

Lighting

Dedolight 3 light kit with one small soft box
Gekko karesslite 6006 DD LED soft light panel
Various CTB gels to match natural light
Various large photographic reflectors

Camera Support

Steadicam System:

Genuine Steadicam Pilot HD Arm, Vest and Sled
with upgraded Gimbal grip and monitor yoke from Sky Magic / Frederic Sturm allowing mounting of Odyssey 7Q+ 4K recorder

Other Camera Support:

Sachtler FSB 4 SL MCF Fluid Head Video Tripod
Kessler Kwik Release Mounting System
Philip Bloom Pocket Dolly Traveler Length 29.5" with All-Terrain Outrigger Feet
Manfrotto 546B video tripod with the MVH502AH Fluid Head
Joby GorillaPod Focus (with Ballhead X) for Professional Cameras
Camera Motion Research Blackbird Camera Stabilizer

Mackie Onyx 1640i Hybrid Analog/FireWire 24/96 Mixing Console

Mackie Onyx 1640i Hybrid Analog/FireWire 24/96 Mixing Console

Studio and Live Sound Equipment

Mackie Onyx 1640i recording and live sound console

This flagship hybrid analog/digital mixer sports 16 mono channels all with Onyx mic preamps (with a reputation as some of the best boutique quality preamps available), 48V phantom power, low-cut and dedicated 4-band dual-sweep Perkins EQ, six aux sends for additional dedicated mixes (including monitor mixes and effects loops) and a true 4-bus architecture. Built-in DIs on two channels and talkback for communication between mixing position and stage/studio talent.

Equally capable as a live sound desk and studio recording console. Full-featured 16x16 FireWire capability allows routing of all channels to, and return from, our Mac computers for insert processing and/or recording. In the live setting, the computer can operate as the outboard effects and processor rack using studio grade plugins, and in live or recording settings, the computer can also record any or all 16 channels simultaneously with up to 24 bit 96 kHz studio master sound quality.

Live sound processing with Waves MultiRack using world renowned studio grade software plugins.

2x Mackie SRM450v2 Front of House PA Speakers with Mackie SWA1501 Sub
2x Mackie SRM350 Speakers for use as monitors
30 meter 20 way multicore cable
Additional vocal mics and drum mics available in addition to the Sennheiser wireless kits above
Mic cables, adaptors, etc.

Sennheiser Handheld Condenser Radio Mic

Sennheiser Handheld Condenser Radio Mic

Software

Final Cut Pro X
Compressor
Motion
Logic Pro X
iZotope Ozone Audio Mastering
iZotope RX Audio Restoration
Waves MultiRack and Plugins
including Abbey Road Reverb Plates, EMI TG12345 Channel Strip, Modern and Vintage Compressors, Transient Shaper etc.

and quite a bit more besides!